Phillip Dizick

Interconnections
between the female and male
∞


One of my major concepts has always been the growth and development
of the female. Historically, I see the female as having been constrained by
society and not acknowledged as equal to the male. She has been conditioned
to respond, and not create. My focus is on female spiritual evolution,
capturing the essence of her being; her personal development and growth,
self-awareness, love, and empowerment. My art is an expression of my
desire to encourage female equality and cultural acceptance. I am concerned
in her physical and emotional development. I utilize mirror imaging in
viewing the many facets of her life that she has considered unimportant,
yet which prevent her from courageously changing her reality and quality of
life; a visual orchestration of stimulated senses revealing what the subject is
experiencing or hiding.

I create forms expressing mind, body, and soul in three mediums. Sculpture
forms show body forms and age related changes, and self-supporting concepts
in both academic and simplified forms. Paintings are academic subjects of
spiritual growth through color in figurative form. Photography is in fantasy
for emotional expression of the female form.

In simplified forms the feeling of movement in landscape is projected,
suggesting the close relationship between Mother Nature and the human
female. Academic pieces frequently incorporate a male figure who is
actually the male side of the female psyche. The two figures represent
the culmination of a developing relationship between the anima, animus,
soul, and the physical body. The animus (her male side) is supportive, yet
never confines. The final sculptural form represents an assimilation of her
self-supporting mind, body, soul, and spirit. Before solidifying, molten
bronze symbolizes the concept whereby, “she melts her soul to nature and stands alone a little taller.”

Geometrics and their Purpose

My experience is that before physical form, there is geometric form.
There is geometry for the soul and geometry for the physical body.
These geometrics are a form of communication between our being and
our bodies, our soul and our cells. Geometrics are the language of creation,
and the energy of information.

Geometry is also a binding agent between the conscious and the
unconscious realms of existence. When the physical realm joins the
non-physical realm it creates a doorway, like a magnifying glass.

Just as the geometrics of DNA encode information to create new
cells, geometrics can create pathways to unconscious and buried emotions.
Each cell in the body holds a particular geometric frequency or memory
that becomes stimulated to expand, open, react, or respond. When you
come in contact with an external geometric form it can feel as though an
unexplainable memory has appeared.

Geometrics unite the physical and non-physical realms of sight, sound,
and vision, helping us to keep from becoming locked into one reality.
Since the separation of existence creates a veil of confusion, recognizing
there are doorways enables us to understand the many facets of existence,
so that we can create with choice and clarity.
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The Geometrics I create are reminders of who we are and where we
come from. The purpose of the geometrics is threefold. First, they activate
emotions that stimulate inter-dimensional stages of consciousness.
Second, they balance energies vibrating at different frequencies,

connecting the soul and body in a co-existing reality. When the geometrics
of the soul and the body are stimulated into working together, then we
can discover all our abilities or skills.

Third, they can facilitate crop evolvement and regenerate the energy of
the soil. They are a stabilizing force that guides and affects the magnetic
fields of the human form and the environment.